Singing Bridges (2002)

Singing Bridges is an urban sonic sculpture on a global scale. Listening to the sound of bridge cables, the voice of each bridge is heard as an instrument for an expanded urban musical experience, a Global Bridge Symphony. 'The city is our temple, electronic networks our religion and the sound of the bridge cables is the voice of the divine.' The bridge echoes with a secret language, listen in to the vibrations within the structure: songs of the inaudible, inexpressible, desires and dreams, the voices of those who have crossed or passed over.

Full Description

Singing Bridges explores the spirit and poetry of bridges, how form and meaning travels through sound, light and image in their design and locations as urban sonic sculptures. Echoing the telecommunications wires circling the earth, the cables of suspension and stay-cabled bridges reverberate with unexpected sounds, each structure creates its own memorable rhythmic texture and sonic environment. The sound of the cables is the voice of the bridge, singing their concrete music, stories of the life and memory of the structure.

Jodi Rose recorded the cables on the Anzac Bridge in 1995, while the bridge was still under construction during her studies at Sydney College of the Arts. Ever since then she dreamed of creating a Global Bridge Symphony, listening to the sounds of bridges singing to each other across the globe. In her ongoing process of responding to the specifics of the structure and location, Rose embraces a philosophy of Art in Context, working in collaboration with artists, researchers, engineers and architects, linking places and people.

Imagining the cables of suspension and stay-cabled bridges as telegraph wires stretching across the globe, Rose hears in the sound of the vibrations the voice of the bridge, each singing a unique song. Her dream is to connect these signals through technological and human networks, linking the sounds of bridges in specific locations to create a metaphoric and actual Global Bridge Symphony.

Work metadata

Want to see more?
Take full advantage of the ArtBase by Becoming a Member
Artist Statement

“As harps for the winds of heaven, my weblike cables are spun.” Joseph B. Strauss, Chief Engineer Golden Gate Bridge (1937)

Placing contact microphones directly on the cables, I record and compose the sound from inside the bridge, hearing the unique voice of the structure as wind, traffic and tension create vibrations. The research proposal draws on my practice of developing connections, recording and composing with the sounds of bridges across the world. Creating site specific installations, performances and events that tap into the intimate geography of their location while also linking them to a global and historic axis. More than simply the acoustic properties or harmonics in the wires, the sound is also the voice of the bridge. This philosophical approach creates a deep engagement between the physical sound of the structure and related stories, social interaction and live events and their cultural context.

The bridge echoes with a secret language of the vibrations within the structure, songs of the inaudible and inexpressible, desires and dreams, the voices of those who have crossed or jumped into the river below. Every bridge is connected to all other bridges through the vibrations in their structure. Stretching the boundaries of art and technology across geographical and architectural borders into a new acoustic form. All bridges resonate with a secret music, transmitting and receiving messages, codes and signals, heard through the sounds of bridges in multiple locations. Voice and vibration. Concrete and abstract. A sensual aurality. Immersed in the world by your ear. Going beyond country borders, without seeking to collect and represent the sounds of each bridge into a structured hierarchy, or impose order from above in a singular artist composer viewpoint, but gathering, amplifying, connecting and disseminating a multiplicity of voices in freely evolving form.

While bridges form connections between places, cultures and people, they remain grounded in their own local social and cultural contexts. The bridge is a symbol resonant with meaning, myth and personal significance. Exploring the philosophy of bridges, how their form and meaning travels is an ongoing creative enquiry throughout “Singing Bridges”. Connecting people, places and cultures, bridges are always singing, all we need to do is stop and listen.

Related works

Featured in 1 Exhibition


This artwork has no comments. You should add one!
Leave a Comment