With the year anniversary of 9-11 approaching, the topic of memorializing is once again a lively one. One man, living two blocks south of what used to be the World Trade Center, has turned to the web to voice his opinion on this topic. After seeing his neighborhood turn into a tourist trap with 'gawking suburbanites' taking snapshots, and 'crass opportunists' hawking quickly churned-out souvenirs, Todd Hulin responds with 'Twin Towers over Ground Zero,' America's number one theme park. Todd, of woodenteeth.com, is not new to parody, and this site reminds how memorializing can go so very wrong.
Mark Napier shredded the web with his 'Shredder 1.0.' Mark Tribe stripped it with 'Revelation 1.0.' Now redsmoke.com's Lew Baldwin wraps the web a la Christo with 'GoodWorld.' Commissioned by the Whitney's Artport, GoodWorld is a virtual browser that turns any site it visits into a (mostly) yellow abstract composition. All links are transformed into ascii smiley faces, and all images are grossly tweaked or simply 'wrapped' in yellow. GoodWorld transforms CNN.com into a Mondrian-esque Teletubby daydream. A political statement, or just good clean absurdity? - Curt Cloninger
A window near a library on a campus somewhere deep in the South Pacific casts a shadow - a virtual shadow. The window is a gallery space, established by students at Auckland's Elam School of Fine Arts to take art out of the gallery context; and its shadow is a web site. Both are offered as a breeding ground for experimentation and discussion. Since launching in May, the site has displayed poetry, digital video, macabre Shockwave, and Italian food. Peer in to explore these quirky worlds and the characters who inhabit them. Window dressings change frequently here, but there's an archive where one will find, for example, Turnbaby bringing Edison's early experiments with moving pictures into the 21st century. - Helen Varley Jamieson
For your next art project on nuclear war, head to The Bomb Project where artist Joy Garnett has gathered together related images (still and moving), information and links as a resource for artists. The availability of online material struck Garnett as she researched an earlier project (painting pictures of nuclear explosions), and the resulting site provides a frightening and visual testament to the nuclear phenomenon. From stunning 'sunsets' to reading lists, exposes of radiation leaks, links to visual arts projects and up-to-the-minute news feeds, this is a rich resource. The data, debris and aesthetics of the nuclear arms race considered in an art context points at issues of information decentralization, and certainly serves as a reality check to any overly idyllic or politically disengaged artists. - Helen Varley Jamieson
Earlier this summer, I received a chilling email with the subject heading 'Note to self,' sent from my own email account. 'Next time make sure to log out,' the message read. 'You never know who might be watching.' The warning turned out to be from a provocative new collective called Public Space Initiative, or PSI (pronounced 'piss'). PSI's initiative is to treat public space as a verb rather than a noun: 'public space is the act of debating what is legitimate and illegitimate in a democratic society.' Their website provides a Public Space Kit offering helpful tips on the legalities and logistics of how to create public space. 'You can gather people together to create dialogue as long as you keep the flow of people unobstructed,' the kit reads. 'Bring an usher, create an aisle, or offer shuttle services.' Tactical media that includes thoughtful event planning. - Claire Barliant
Web interfaces have been used to control real world objects like robots, and real world gallery environments have been used to manipulate web sites. But never have London taxi cab drivers been involved... until now! 'Taxi Art' is a web site that receives real-time input from GPS tracking devices placed in taxis operating throughout London. Visit the site, select up to 4 drivers (you can even view their photos), choose your type of output (shapes, lines, etc.), and then watch as the cabs 'draw' your artwork. Rear view mirror air freshener not included. - Curt Cloninger
PixelZoom is an interactive technology that uses audio 'space' to manipulate visual imagery. A series of still images is tweaked based on audio input. When the audio input comes from the left end of the stereo spectrum, the left part of the image is zoomed in on. When the audio input comes from all across the stereo spectrum, the entire image becomes a shimmering 'film' that seems to pulsate to the music. Developed by the South African collective 'No-Organisation,' a short installation of PixelZoom is viewable online. - Curt Cloninger
Mark Amerika is into text -- as sound, as image, and as good old fashioned signifiers. His latest, 'FILMTEXT,' uses a nifty Flash interface to further explore/exploit these textual manifestations in a slick, post-ascii context. Amerika enhances his dialogue with abstract film loops, ambient audio loops, and a clever form of hybrid actionscript poetry. The interface itself is reminiscent of Yael Kanarek's 'World of Awe' in terms of its chrome windows and rocky topography, but the overall "voice" is Amerika's own. Refreshing to see an old school guru evolving with the tech. - Curt Cloninger