Posts for January 2006

Google Earth... back in the '90s


In 1994, ART+COM presented Terravision, an installation that enabled users to navigate in a 3D model of the earth by moving a tracking device in front of the projection showing the actual location and environment s/he is in.

bildterrav.jpg med_03_terrav.jpg
Image on the right: Visualization of danger-zones for earthquakes

The virtual globe is generated from satellite images and altitude data stored on servers located around the world, integrated into a television system by an ATM broadband network. Information can be accessed topographically and chronologically: a user can see weather patterns or zoom in on, say, the Potzdammer Platz in Berlin and use a camera icon (placed at the actual location of the original camera) to view a film of it made in 1929.

Terravision was conceived as a tool to generate knowledge about the condition and future development of our planet.

The display and the resolution were only limited by the quality of the satellite aerial images of the corresponding location.

John has just sent out via bittorrent the original video from 1995.

More images and videos on art+com website and on Media Art Net.

Other works by art+com: the Science of Aliens, timetravel telescope, Floating Numbers table.


Originally posted on we make money not art by Rhizome

at interval, 1977 / 2006


Spent most of the weekend working on a new video piece for the t-minus 2006 festival, an exhibition and DVD produced by Joshua Goldberg and Chris Jordan, New York City. It’s likely to be the first in a small series of "lapses," which play with time and language, by compressing popular films into a different space of relation:

< video still from at interval
video still from at interval< />

For at interval, I captured the entirety of Woody Allen’s Annie Hall, then removed all spoken dialogue from the film. Time is slowed down, through emphasis on breathing, silence, mistakes, facial expressions and music between the text, and paradoxically sped up, through an immense shortening of the film - from one hour and thirty minutes, to just over thirteen. at interval compresses the movie by removing Allen’s characters’ lapses in judgment, and instead plays with time to accent similar impossibilities within language.

play movie
quicktime and javascript required; 11.7MB pop-up window, 13:22


Originally posted on nathaniel and the non-aggressive by Rhizome

Generator.x in Stavanger #2


Generator.x:  Introduction

Generator.x: Introduction

Wattenberg: Shape of Song

Wattenberg: Shape of Song

17;ve just come back from the opening of the second installation of the Generator.x show in Stavanger, an opening which must be considered a success on all counts. Not only did it get a good reception from the local audience, but the show itself looks great in the slightly raw and intimate halls of Tou Scene. But don’t take my word for it, look at the images above and below, as well as the full set of photos on Flickr.

For the opening, I gave a short introduction to generative art and design, which was followed by Trond Lossius speaking about his work with sound. He talked about generative sound being sound as a Platonic idea, with the specific incarnations being shadows of a meta-sound which is never really heard.

The exhibition was followed by a live concert with local electronica heroes QRT, HOH and NES. Gisle Frøysland did live visuals using the open source MøB software he has developed at BEK. I showed my own piece Neon Organic in a newly revamped OpenGL realtime version.

The exhibition will remain in Stavanger for a minimum 3 weeks, see the Tou Scene web site for details. I would like to thank local organizers at Tou, Nils Henrik Asheim and Alain Fassotte, for their support and quick turnaround in organizing an excellent opening event. Thanks also to Espen Tversland, the museum host for the National Museum who will follow the exhibition around Norway.

More photos to follow, including videos of the projected pieces and the concert.

C.E.B. Reas: Process 8

C.E.B. Reas: Process 8

QRT live with Frøysland on visuals

QRT live with Frøysland on visuals


Federal Judge Gives Go-ahead in Kurtz CAE Case


Motion to Dismiss Charges Called "Premature" Dan Herbeck, Buffalo News

A criminal case that has upset many people in the art world will continue to move forward in federal court here.

In an opinion issued late Thursday, U.S. Magistrate Judge H. Kenneth Schroeder Jr. refused to recommend dismissal of charges against Steven J. Kurtz, a University at Buffalo art professor who was indicted by a federal grand jury in June 2004.

Kurtz, 47, is a founding member of the Critical Arts Ensemble, a group whose art exhibits often criticize the the federal government. His indictment touched off debate about artistic freedom and the government's efforts to tightly control the distribution of bacterial agents in the post-9/11 era.

It would be "premature" to dismiss the charges, Schroeder wrote. The judge also refused to recommend the suppression of evidence taken from Kurtz's Allentown home after his wife died there in May 2004.

"Even if it assumed . . . that the government will fall short in the required proof, a motion to dismiss the indictment must be considered as being premature and inappropriate in addressing that issue," Schroeder wrote.

The judge said he will schedule a hearing to determine whether some statements Kurtz made to Buffalo police should be suppressed.

Kurtz and Robert E. Ferrell, a human genetics researcher at the University of Pittsburgh, are charged with illegally obtaining bacterial agents from a laboratory in Virginia. They are charged with felony mail fraud and wire fraud.

Kurtz's attorney, Paul J. Cambria Jr., had argued that no actual crime was committed. He said Kurtz obtained "harmless" forms of bacteria that he planned to use "in an art exhibit, to make a political point."

"We plan to appeal this ruling," Cambria said Thursday. "Judge Schroeder didn't say we were wrong. He ...



Originally posted on Interactivist Info Exchange by Autonomedia

PG Cert Project Exhibition - 18th - 20th January 2006


Yes it's that time of year again, where the Ma Students show off to the world the work they have completed for their PG Cert. It looks like its going to be a legendary private view on Wednesday evening, with dj's, food & wine provided...


Originally posted on MAzine - Exploring the potential of networked media by Rhizome

Car Games


For his solo show in NYC, Brody Condon created a “full size 85′ lamborghini countach (pictured) from cast plastic branches. the original wireframe model came from the game need for speed.


Originally posted on coin-operated by Rhizome



Alena Williams:


Opening: Friday, 10 February 2006, 19:00 11 February - 30 April 2006 Württembergischen Kunstverein, Stuttgart

An exhibition about one ball, two bats and our life in a digital world

[The Project] From 11 February to 30 April 2006 the Wuerttemberg Art Association in Stuttgart hosts the premiere PONG.mythos exhibition, curated by Andreas Lange. PONG.mythos presents over 30 works that revolve around the computer game Pong. Pong, in the early 70s, turned the simple game of tennis into the signal for the emergence of the computer game industry. Since then, it has developed from its historical origin in game halls to an important social, scientific and cultural reference system.[...]


Originally posted on Raw by Alena Williams

When Art and Science Collide, a Dorkbot Meeting Begins - nytimes



January 17, 2006 When Art and Science Collide, a Dorkbot Meeting Begins By BRIAN BRAIKER

The artists may have ceded SoHo to swanky shops and million-dollar digs, but once a month the scene at one of its remaining galleries might best be described as Revenge of the Nerds.

On a recent Wednesday, "dorkbot" was holding the first meeting of its sixth year at the Location One gallery. Scruffy hipsters toting six-packs, blinky Web developers arguing the merits of their preferred P.D.A. and an inordinate number of dreadlocked heads packed the gallery beyond capacity to hear three brief, charmingly unpolished lectures.

Founded five years ago by Douglas Repetto, the director of research at Columbia University's computer music center, dorkbot is an informal club of artists, techies and geeks who do "strange things with electricity,"[...]


Originally posted on Raw by LEE WELLS

Call for Participation - SIGGRAPH 2006 - Boston


Linda Lauro-Lazin:

The SIGGRAPH 2006 Art Gallery is accepting submissions for artwork which uses digital technology in creative/innovative ways and explores new territories and crosses traditional boundaries.

DEADLINE Jan 27, 2006 5 PM Pacific time

The SIGGRAPH 2006 Art Gallery is considering (but not limited to) the following types of work:

• Interactive Art Installations and Environments
Artworks that involve electronically mediated spaces, kiosks where the environment is part of the art, and art that expands beyond the frame.

• Fusion Works
Works that combine innovative technology and creative art expression.

• Interactive Electronic Art Sculptures, Objects, Robotics
Sensor-driven art, robotics, found-object art, [...]


Originally posted on Raw by Linda Lauro-Lazin



Joel Slayton:

ISEA2006 Symposium Call for Papers, Posters and Artist Presentations Deadline Extended to January 30th

More information on the Call for Participation to come!

Joel Slayton
Chair, ISEA2006/ZeroOne San Jose

Steve Dietz
Director, ISEA2006/ZeroOne San Jose


ISEA 2006 is going to be fantastic! The creative and intellectual stimulation will be matched by the fun to be had in sunny San Jose, this summer... ~marisa

Originally posted on Raw by Joel Slayton