Posts for 2013

Announcing Rhizome Commissions and Rhizome | Tumblr Internet Art Grant Awardees 2013

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Promotional image for David Wightman and Jacob Ciocci, The Realm Recognize Realm Tour.

Rhizome is pleased to announce the artists and collaboratives awarded grants through our annual Commissions Program. This year, nearly 250 proposals were submitted by artists from around the world. One project was selected by Rhizome's membership, through an open vote, and four more by jury. With a focus on NYC-based artists due to the generous support of the Jerome Foundation, plus a select few national and international projects, the awardees are:

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The Week Ahead: Situationist Tubing Edition

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This Saturday, artist/educator/author Curt Cloninger will give a brief lecture on the banks of the French Broad River in Asheville, NC about psychogeography, the Situationist practice of dérive, and Henri Bergson's understanding of time, memory, and the mind. After Cloninger instructs participants in the finer points of subjectively drifting through time in order to reclaim it, participants will drift downriver in floating tubes. The last person to reach the destination (a bar) will be crowned the winner.

Without further ado, here is a roundup of this week's events and deadlines, culled as always from Rhizome Announce

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Have a Nice Day: Hannah Perry and Bubblebyte Take Over Create London

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This week, online art mavens Bubblebyte and artist Hannah Perry launched a "takeover" of the website of Create London, made in collaboration with 25 teenagers from South East London as well as a range of contemporary artists. The takeover will only be on view until 13 September.  

Bubblebyte and Hannah Perry's takeover of the website of Create London.

As takeovers go, it was of the friendly variety. A row of colored, numbered buttons appears at the bottom of the site; clicking on each button brings up a song and a visual response by an artist. The visual responses appear as transparent overlays (sometimes still, sometimes animated) on top of website content. A rotating humidifier (perhaps an oblique reference to cloud computing?) is paired with ominous industrial audio by Paul Purgas. Menna Cominetti splashes a pair of blue tinted shades over the page, set to the ethereal tones of Paul Flannery. For the most part, these works have no explicit relationship with the site's content, but some strange juxtapositions emerge, such as when Andrew Norman Wilson’s images of Martha Stewart appear on top of the words "create jobs." 

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Growing Up Internet: The Case of Chris Poole

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Chris Poole (aka moot) is many things. He is the founder of the notorious 4chan (2003—), the bulletin board that gave rise to some of the most memorable memes of past decade, and Canv.as (2010—), a website that encourages sharing and remixing media. His most recent project, DrawQuest, is an iPad app that prompts users with a new drawing challenge every day. Its latest version was launched in the iTunes store last week. 

Poole embodies and understands the internet and online community in the way only a millennial who had a computer in his bedroom with no parental supervision can. He started 4chan when he was 15, and for the community that emerged around it, he belongs in the pantheon of internet gods. Their adoration went so far that in 2009, 4chan users flooded the Time 100 poll to award Poole as The World's Most Influential Person. They describe him in the satirical Internet culture wiki Encyclopedia Dramatica as "supreme overlord of the Internet." He still devotes a considerable amount of time and money to 4chan, despite the fact that he can expect nothing in return. But although he stays involved in the community he created as an adolescent, Poole has grown up. Now, he’s an entrepreneur attempting to solve the puzzle of how to cultivate and – hopefully – monetize a creative online community. 

I met with Poole for bubble tea in the East Village on a hot Tuesday afternoon. After showing me the new updates in the latest version of DrawQuest, we talked about his views on art, online communities, and growing up internet.

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Opening Today: XFR STN, a publicly-accessible media conservation center

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Today marks the opening of XFR STN, an exhibition collaboration between Rhizome and the New Museum that takes the form of a publicly-accessible media conservation center. Artists are invited to transfer materials from a variety of media formats for conservation; appointments may be requested online

As the New Museum website explains, the exhibition "initially arose from the need to preserve the Monday/Wednesday/Friday Video Club distribution project. MWF was a co-op 'store' of the artists' group Colab (Collaborative Projects, Inc.), directed by Alan Moore and Michael Carter from 1986–2000, which showed and sold artists' and independent films and videos on VHS at consumer prices." Moore proposed XFR STN as a project that would deal not only with the MWF archives, but with the wider problem of the obsolete media forms found in artists' archives. Thus, as exhibition curator Johanna Burton writes, he conceived of XFR STN as "an artistic project as well as a public service."

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The Week Ahead: Cybersculpt Edition

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New Sculpt series by LaTurbo Avedon opens Saturday at Transfer Gallery.

More selected events, exhibitions and deadlines this week, all culled from Rhizome Announce.

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Artist Profile: Nick Briz

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Part of an ongoing series of interviews with artists who have developed a significant body of work but may not (yet) be well known to our readers. Nick Briz is an artist/educator/organizer living in Chicago, and co-founder of the conference and festival GLI.TC/HThis interview took place via Google Drive.

Nick Briz, The Glitch Codec Tutorial (2010-2011). Screenshot from YouTube video.

Daniel Rourke: You are involved in an "improvisational realtime/performance media art event" at the moment called "No Media," where participants are explicitly discouraged from preparing before they take part, or from creating documentation of any kind. I was lucky enough to see the first iteration of No-Media at GLI.TC/H 2112.

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Rhizome is Hiring

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Our long-time and wonderful Program Director, Zoë Salditch, is sadly leaving Rhizome for an exciting new opportunity (stay tuned!). Since we can't possibly replace her, we're advertising a brand new opportunity at Rhizome:

Community Manager & Program Administrator  
(Full-time w/ benefits or part-time negotiable)

Deadline: Monday, July 29th at 9am
Send a cover letter and resume to: jobs@rhizome.org
**Please note this position is only available to those already eligible to work in the US

Rhizome seeks a highly capable, communicative and organized internet native to care for and cultivate our community — through our website, social media, IRL events, cultural infrastructure, and new forms of participation that have yet to be imagined. This individual will also play an important role in supporting and enabling, through strong administration, our best work as a leader in contemporary art and technology. ...

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Software Takes Command: An Interview with Lev Manovich

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Lev Manovich is a leading theorist of cultural objects produced with digital technology, perhaps best known for The Language of New Media (MIT Press, 2001). I interviewed him about his most recent book, Software Takes Command (Bloomsbury Academic, July 2014).

Photograph published in Alan Kay and Adele Goldberg, "Personal Dynamic Media" with the caption, "Kids learning to use the interim Dynabook." 

MICHAEL CONNOR: I want to start with the question of methodology. How does one study software? In other words, what is the object of study—do you focus more on the interface, or the underlying code, or some combination of the two?

LEV MANOVICH: The goal of my book is to understand media software—its genealogy (where does it come from), its anatomy (the key features shared by all media viewing and editing software), and its effects in the world (pragmatics). Specifically, I am concerned with two kinds of effects: 

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Post-internet Curating, Denver Style: An Interview with Carson Chan

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Draft Urbanism, the core exhibition program in the latest edition of the Denver-based Biennial of the Americas, brings together practitioners in art, architecture, and film from across the Americas to examine our evolving relationship with the physical and social fabric of our cities. The biennial features a series of newly commissioned works in various public spaces throughout Denver, from breweries to highway medians. Carson Chan, architecture writer and curator, and co-founder of architecture collective Program (Berlin), is Executive Curator of this year’s edition.

Carson Chan in Denver. Photograph: Anthony Camera.

KAREN ARCHEY: Draft Urbanism seems to be more inclusive and unique than your average biennial. Could you describe the curatorial purview and physical format of the biennial, and explain how it is a departure from the standard biennial (i.e. Lyon, Venice)? How does it relate to the biennial you organized in Marrakech last year?

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