One summer during college, I worked in a one-hour photo lab in a mall near my hometown. A big part of the job involved squinting at 35mm negatives and assessing the necessary color balance and exposure. I've always been bad at colors, and when a shift got slow I would make lots and lots of reprints and compare the results, trying to hone my eye. "You generate a lot of waste prints," my boss said one day. "Yes," my 19-year old self agreed placidly, without a thought for the store's bottom line, "that's true."
This week, I went to a CVS near my house to pick up an envelope of photo prints. The occasion was David Horvitz's project "An Impossible Distance," a "distributed exhibition" of works by 24 artists. To receive the "exhibition," you simply send an email to the organizers with your name and whereabouts, and they order the prints for you online, for delivery to a local photo Walgreens or CVS. When I went to CVS to collect my prints seven hours after the allotted time, they weren't ready; the cashier rang me up and started printing them. "It'll just be a few minutes," she said, and turned to the next customer, while a robot performed my old job.