Bootyclipse (2007) - Dennis Knopf

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Nowadays, those who want to display themselves do it on YouTube in the YouTube video format. What does this format offer to amateur dancers, strippers or porn actors? Several minutes of do-it-yourself footage, untouched by an editor or a camera operator. This last thing is even more important to us voyeurs than the feeling of authenticity that comes from the lack of editing: it gives us several seconds to look around in someone else’s room, a moment or two when the camera is already switched on, but the actor (who also doubles as a camera operator) hasn’t entered the frame yet. These are the sweetest moments.

In the summer of 2007, a German rapper and a debutant net artist Dennis Knopf opened a channel on YouTube that he named Bootyclipse. Every video broadcasted on that channel consists of those candid moments, prolonged to 40-60 seconds. Dennis has collected fragments from more than twenty videos where a girl who is going to shake her booty in front of a camera has not appeared in the frame yet, and looped these moments, leaving the music to play in real time.

-- EXCERPT FROM "An Infinite Séance 2" BY OLIA LIALINA

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FANTASY VISION MEDITATION (MEGAMIX) (2008) - Ivan Lozano

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FANTASY VISION MEDITATION (MEGAMIX) from Ivan Lozano on Vimeo.


Structured as a continuous mix of videos from a recent series investigating the parallel historical narratives of disco, gay liberation movements and AIDS. A phantasmagoric elegy for the fallen soldiers in the hidden cultural wars of the 70s and 80s by transforming two sources generally dismissed as vapid and disposable. The musical collaboration between disco singer Sylvester James (a victim of AIDS) and producer Patrick Cowley (who succumbed to AIDS less than three months after the disease was codified) and A Night At Halsted's by queer porn auteur Fred Halsted (who overdosed on sleeping pills after the death of his lover from AIDS) who helped in defining the culture of the era. A labor-intensive digital exegesis of the unconscious spiritual elements hidden in the originals.

-- FROM THE ARTIST'S STATEMENT

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2 Shows 4 U

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Two online exhibitions from ongoing curatorial initiatives Why + Wherefore and Club Internet opened within the last week. See below for a quick summary of each, plus a few highlights.



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Image: "Sound" Logo

"Sound" Curated by Bozidar Brazda (part of the 7 x 7 series) for Why + Wherefore

For the first installment of 7 x 7, Why + Wherefore (Summer Guthery, Lumi Tan, and Nicholas Weist) invited 7 organizations to produce an exhibition composed of 7 items around a theme. Rhizome was one contributor, and staff writer Brian Droitcour put together an exhibition of 7 vertical works that exceeded the browser frame. (Other guests included Sundays, iheartphotograph, Triple Canopy, The Highlights, VVORK, and Humble Arts Foundation.) Continuing with the 7 guests, 7 items format is the second round of 7 x 7, where individual curators were asked to contribute an exhibition. So far, João Ribas, Kate McNamara, Josh Kline and Mark Beasley have chimed in with exhibitions ranging from items made in Photoshop to men modeling the durability of their outerwear in advertisements from 1969. The second (the first was VVORK's) sound-specific theme in the 7 x 7 series went live this week, curated by artist Bozidar Brazda. Simply titled "Sound," the show's logo (above) resembles a CAPTCHA, and the works operate in a similar fashion, being both comprehensible and somewhat obscured. Ryan Foerster's Untitled (2009) assembles roughly 15 separate clips of (what I presume) is the Ramones counting off, "1,2,3,4" before launching into a song. The song is omitted, thus the listener is simply left with the lead up. Rich Alrdich's (The Lights Went Out In) Massachusetts (2009) is an acapella version of the Bee Gees' 1967 song and on first listen, it sounds like a late night, drunken recording of a group of ...

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The Dynamite Show (2004) - Koen Theys

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Seth Price, Correspondence

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The following is an excerpt of an ongoing correspondence between Seth Price and Boško Blagojević.

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Eleven Evocations (For Paper Rad)

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The following essay was first published in the catalog for the exhibition curated by Raphael Gygax "Deterioration, They Said" which is on view at the migros museum für gegenwartskunst in Zurich, Switzerland until November 8, 2009.

1. The popular dissemination of magical worlds has ultimately shifted from folk tales to children’s television. Paper Rad takes back this process from commercial channels, creating their own ever-shifting cosmos populated by robots, spaceships, monsters, talking animals, giants and wizards.

Like H. P. Lovecraft or J.R.R. Tolkein, Paper Rad created their own mythos, a set of characters that jointly share a fantasy world. Like Warner Brothers or Disney, Paper Rad circulate their creations across media—websites, comics, animated videos, sculptures, screen prints—thereby establishing themselves as the creators of both an imaginary alternative universe and an audio-visual brand.

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Empty Orchestra (2009) - Ryan Barone

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Endless Growth (2009) - Xavier Barrade

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Random Butler on YouTube

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I don’t remember exactly how I first came across Random Butler’s YouTube channel, besides seeing a video from it in the “Related Videos” sidebar when I was watching something else, and while I can’t say I know much about YouTube’s algorithm for selecting “Related Videos” I suspect the sheer number of videos on the channel helped it get in my window. Since creating his YouTube account on April 24, 2006, Butler has uploaded 1,219 videos—an average of about one a day. And while there are many YouTube users who maintain frequently updated vlogs, Butler’s is the only one I’ve encountered that shifts the video diary’s role from an emotional outlet to a creative one. Instead of focusing on the user’s persona, it presents a direct record of what he sees and what goes on in his inner world. Butler has pointed his web cam at the television as he wins Zelda, and uploaded several “multimedia messages” that show views of a computer screen or out a car window, taken on a Nokia 6102. In recent months, he has been uploading fewer web cam and cell phone videos and spending more time on experiments that distort clips from games and cartoons. A favorite source has been King of the Hill. Like any diary, Butler’s YouTube channel is composed of incremental fragments and best considered as a whole, but nonetheless, I’ll offer a few highlights here.




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The Longest Poem in the World (2009) - Andrei Gheorghe

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