Light Is Waiting (2007) - Michael Robinson

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08 Volcano Test (2010) - Borna Sammak

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Corpcore (2010) - Fatima Al Qadiri

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Untitled (Never Gonna Be Alone) (2008) - Clive Murphy

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NY THYMES : Joel Holmberg's CNN Blog (2010)

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Boats * Cars * Dollars * Girls * Helicopters * Jewellery * Skylines (2010) - Thomas Traum

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A typology of rap videos and an attempt to construct the most generic Rap and R&B video out of many. Musical genres are always heavily codified and rap seems to be one of the most extreme ones, each video has similar if not identical subjects, the same light, the same cars, the same girls, the same dance moves etc. Through their likeness they seem to be almost ‘classic’, just as classic theater or opera.

-- DESCRIPTION FROM THE ARTIST'S STATEMENT

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out of a body and into the fire (2009) - Travess Smalley

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The Primitives Talk (2010) - Zach Hill

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Repin Copy (2009) - Patrick Armstrong

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A full scale (80"x141") copy in oil of Ilya Repin's Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, 1880-1891 is fabricated by a made-to-order painting workshop and mailed to the United States for the exhibition Rotation X, 2009. Cossacks, a painting made notorious as a textbook example of kitsch in Clement Greenberg's 1939 essay Avant-Garde and Kitsch, is currently displayed at The State Russian Museum, Saint Petersburg and has putatively been seen by only a fraction of those who have read Greenberg's criticism.

-- FROM THE ARTIST'S STATEMENT

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JOGGING COMMEMORATIVE (2010) - JOGGING (Brad Troemel and Lauren Christiansen)

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This project features a full archive of all 743 Jogging posts from 2009-2010. Images of these works are viewable in chronological secession on Youtube videos that feature the Billboard Top 100 tracks for the first week of September 2010. Each image is shown for 10 seconds in the videos. The first 24 Jogging posts are presented with the #1 Billboard song playing. Posts continue to unfold chronologically, moving down the chart and ending at the 31st song on the charts...

The songs in Jogging Commemorative are not intended as musical accompaniments. In this project, Billboard Top 100 tracks are the medium Jogging’s history exists through; the sites at which the Youtube viewer’s consensual desire to listen is paired with an unwitting visual experience. By choosing the most popular songs currently available, the artists intend to make use of this music’s universality as a form of digital public space. Here art is a parasite, assuming the shape of popular culture insidiously while seemingly undergoing minimal alteration in visual content.

Though these songs may be commonly heard due to their advantageous corporate sponsorship, they are not cultural commons. Each video in Jogging Commemorative stands as a display of Youtube users’ contextual helplessness in the face of heavily lobbied copyright law. The array of subsidized advertisements to purchase the songs is a constant reminder of the music industry’s tenuous relationship with freely distributed subject matter. “This is property on loan”, the advertisements figuratively tell viewers, as the RIAA hedges a bet that the more widely distributed the forced advertisements for MP3 purchases on available Youtube videos, the more likely they will recoup the lost profits of music listened to without cost. Jogging’s distributive and aesthetic intentions are nestled within this counterintuitive marketing ploy.

Not all will be able ...

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