Archisuit consists of an edition of four leisure jogging suits made for specific architectural structures in Los Angeles. The suits include the negative space of the structures and allow a wearer to fit into, or onto, structures designed to deny them.
Lisi Raskin, an artist known for her whimsical military command centers and her cross-country information gathering van (official title: Mobile Observation (Transmitting and Receiving) Station), has produced a new project for Dia's ongoing Artists' Web Projects series. Titled Warning Warum, the website is a nuclear control panel that allows visitors to "bomb" locations of their choosing. The playful interface recalls Raskin's signature childlike style, complete with construction paper collages and handwritten buttons. The accompanying audio of the artist also reminds one of a kid at play, with Raskin chirping "beep beep" to replicate the sound of morse code or "oooeeewwwww" for the missile launch. Raskin's style of interface aesthetics emerges from her own upbringing in 1980s America, where the Cold War and the fear of a nuclear blast were in the air. Her low-fi reconstructions can be understood as an intentionally imprecise attempt to come to terms with the threat of nuclear disaster, an event so horrific and overwhelming as to be almost outside the realm of human comprehension.
For this project, artist Joe Winter aggressively shakes a computer printer during the process of printing. The movement creates the above colorful effect.
Creative Time presents Playing the Building, a 9,000-square-foot, interactive, site-specific installation by renowned artist David Byrne. The artist transforms the interior of the landmark Battery Maritime Building in Lower Manhattan into a massive sound sculpture that all visitors are invited to sit and “play.” The project consists of a retrofitted antique organ, placed in the center of the building's cavernous second-floor gallery, that controls a series of devices attached to its structural features—metal beams, plumbing, electrical conduits, and heating and water pipes. These machines vibrate, strike, and blow across the building’s elements, triggering unique harmonics and producing finely tuned sounds.
Note: Last year, Justin Downs wrote an article for Rhizome which outlined the design and fabrication of this project. Read it here.
A used car is completely wrapped, inside and out, in an adhesive vinyl skin to make it look like a 2007 Porsche 911.
Need for Speed is a Lamborghini Countach from 1985 made in cast urethane branches. The original 3D model for the car was extracted from the popular racing simulation Need for Speed. The term “cargo cult” refers to the history of low tech, ritualized simulation of military aircraft by indigenous South Pacific tribes in the mid 20th century.