JODI, GEOGOO, 2008-2011 ongoing, screenshot. (From Foxy Productions)
“Highways Connect and Divide,” an exhibition on display at Foxy Productions featuring work by Cory Arcangel, Tauba Auerbach, Bureau of Inverse Technology, I/O/D, JODI, Nam June Paik, Sterling Ruby, and Kerry Tribe, considers how the structure of information influences its transmission, reception, and legitimacy. Using the highway as a metaphor, the show constructs a dialog concerning the geography of transmission and the role of the artist in reimagining the systems that impact our lives.
Nam June Paik & Jud Yalkut, Beatles Electroniques, 1966-7. (Courtesy of Electronic Arts Intermix, New York.)
Highways, or channels of transmission are playfully interrupted in Nam June Paik's pioneering work Beatles Electroniques (1966-1972), where a TV broadcast of the Beatles’ A Hard Day's Night (1964) is disrupted by a magnet, rendering the familiar images into abstractions that reveal the underlying technological structure of the electronic signal. In a similar vein, though nearly forty years later, JODI's Geo Goo (2008-2011, ongoing) obstructs Google maps with failures and errors, stripping it of functionality and turning the ordered maps into chaos. The result is a disorienting and emphatic challenge to the technology’s authority and power. In both works, the technological architecture is given precedence over the intended distribution of content.
Kerry Tribe, North is West / South is East, 2001 (Photo: Mark Woods)
Maps are also the subject of Kerry Tribe's work North is West / South is East (2001), where the geography of Los Angeles is redrawn from memory by random individuals approached at the LAX Airport. The resulting maps, framed and mounted on the gallery wall, elevate the personal and unique realities over the legitimate cartographic version. Legitimacy and authorization are challenged further by Bureau of Inverse Technology's (BIT) video Bit Plane (1997), where ...