The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network culture and digital technologies.
Adriana Ramić, The Return Trip is Never the Same (After Trajets de Fourmis et Retours au Nid, M. Victor Cornetz, 1910), 2014. Ebook, 82 pages. Installation view, Smart Objects, from the exhibition "Never cargo terminal has recently discovered the trembling hand of state secrets resounding oversold bounce child."
Lizzie Homersham: The work you exhibited in the recent show at Los Angeles' Smart Objects ("Never cargo terminal has recently discovered the trembling hand of state secrets resounding oversold bounce child," Jul 12 - Aug 8, 2014) was produced by retracing a series of ant pathways onto an Android Swype keyboard, then translating these movements into every available language. What prompted you to consider the smallest of animals in relation to your personal production of language on a smartphone?