Art21's blog posted an interview with artist Sam Gould of Rhizome-commissioned collective Red 76 yesterday. Gould discusses the unique pedagogical models used in Red 76's projects, and the willingness on the part of a number of museums to adopt these methods into their programming. See below for an excerpt, full interview here.
The work, in an artistic sense, that I’m involved in creates zones in which to engage your desires, question your efficacy, and imagine a practice outside of the space in question. It is an educational zone, based on experience and within an experience, but it is not the zone or the experience which is the topic of discussion.
Last year, Turbulence.org partnered with NewMediaFix, Telic Arts Exchange, and Freewaves to create an online book on interactive and participatory art titled "Networked." The organizers felt writing on this type of art work necessitated a forum that itself was open and interactive, thus they set out to design a site for the publication that would be as dynamic as the work discussed. The "Networked" site, built by Matthew Belanger, is now open for comments, revisions, and translations. Click the below for essays by Kazys Varnelis, Anne Helmond, Jason Freeman, Anna Munster, and Patrick Lichty.
Dan Hill, of the architecture blog City of Sound, posted a nice synopsis of a long discussion between himself and architect and engineer Carlo Ratti today. Ratti is the director of the MIT SENSEable City Lab, which researches the impact of sensors and hand-held electronics on architecture and urban planning. In the article, Ratti talks about their work as well as his vision of a "responsive city."