In the last year my practice has grown out of the studio in the form of large-scale rooftop paintings for Google Earth. This project uses materials from the waste stream (discarded house paint) to mark a physical presence in digital space.
My work is generally concerned with human perception of current conditions; the Paintings for Satellites are specifically concerned with the effects of the digital on our physical bodies.
All my work begins a series of rules derived from existing conditions. For example, the color palette for the rooftop paintings is made from the discarded paint available on a given day; the physical surface of the roof determines the shape of the painting.
As this project proliferates, it will take two forms - a community model, using local volunteers and paint from the waste stream and a design/build model, using solar-reflective paint, solar panels and green roofing contractors.
-- FROM THE ARTIST'S DESCRIPTION
A virtual environment, with multiple levels, produced for Philadelphia's Extra Extra Gallery.
Tip: Also see Tabor Robak's Mansion, another virtual environment created by the artist.
By combining a recently developed mobile software application with the multimedia facade of the ARS Electronica building we intend to lower participation barriers for end users when interacting with such facades. We developed two prototypes: in the first application, users can paint interactively on the building using touch input on the mobile device. In a second application, users are able to solve a jigsaw puzzle displayed on the facade. iRiS (Immediate Remote Interaction System) is a joint research project from the University of Saarbrücken, Germany and University of Munich, Germany.
-- FROM THE PROJECT SITE