Top 5 - 10


Three Wolf Moon T-Shirt

Jenny Jaskey is Rhizome's Curatorial Fellow

It's no secret that the internet, particularly with the help of social media, has birthed a whole new kind of celebrity. Here are a few of the highlights from the past year that demonstrate the power of viral media and the changing face of fame.

► Three Wolf Moon T-Shirt
In early Summer 2009, a t-shirt featuring three wolves howling at the moon appeared on The Customer Reviews got a lot of attention (there are 1,598 to date), and by October the shirt made its first celebrity appearance on The Office. Three Wolf Moon is now a souvenir of itself.

► Tavi: The New Girl in Town
Her blog has been around since 2008, but Tavi’s had a big year, the thirteen-year old pixie fashion blogger recently appeared on the cover of Editor Dasha Zhukova’s debut edition of Pop Magazine. She is one of the most sought-after editorial voices in fashion and has not yet finished eighth grade.

► Susan Boyle
In April, Susan Boyle appeared on “Britain’s Got Talent.” The 47-year old, who says she lives with her cat Pebbles and has never been kissed, performed the song “I Dreamed a Dream” from Les Miserables. When the clip appeared on YouTube, there were over 100 million views within the first weeks, making it one of the top Internet videos of all time.

► Kanye West
Kanye’s unforgettable appearance at the 2009 VMAs sparked a host of memes and memes within memes. Even Obama weighed in on the issue.

The event that started it all:


Interview with Christiane Paul


The Third Quadrilateral Biennial opened last week at the MMSU in Rijeka, Croatia, and it will remain on view until January 13, 2010. The Biennial emerged out of a cultural partnership between four participating countries - Croatia, Slovenia, Hungary and Italy. Artists from these countries are selected for exhibition in the Biennial. The focus for this year is new media art, and the organizers fittingly selected acclaimed new media art scholar and curator Christiane Paul as the Artistic Director for the Biennial. Paul took a moment to answer a few questions about the exhibition over email.


Call for Proposals



Delhi's Sarai Media Lab posted a call for their City As Studio fellowship program. Brief description below, full details and information regarding applications available here. The fellowship will take place February 1, 2010 - October 31, 2010, with a bursary of Rs 65,000 spread over a period of nine months. Applications are due by December 26, 2009.

The Sarai Programme at the Center for Study of Developing Societies, Delhi is an interdisciplinary platform for the investigation and interpretation of contemporary urban experience. Sarai produces events and processes, publishes offline and online content and generates contexts for research and creative practice concerning contemporary urban conditions.

The Sarai Media Lab invites expressions of interest and intent from artists and practitioners in diverse media - textual, visual, aural, spatial and temporal - who could be - visual artists (photographers, sculptors, installation artists, graphic artists), writers and independent scholars, filmmakers, architects, experimental musicians and composers, sound recordists, performers and people whose practices straddle or transcend different areas of practice - for participation in the 'City as Studio' Project.

The City as Studio initiative will create contexts for high intensity inter-disciplinary processes at different locations in Delhi and at the Sarai space at CSDS. Sometimes these process(es) may be rendered as an exhibition, at other times as a gathering, as a library, as a temporary archive or as an occasion for performances, conversations and debates. At still other times it may take the form of a workshop, a temporary atelier, a media studio, a publication or an online platform. The City as Studio is neither a one off event, nor a workshop or a residency, nor a festival or a simple cluster of public programmes - though it has elements of all of the above. It is primarily a method of generating a new public profile for creative ...


Light Bulb Music (2009) - Michael Vorfeld


Michael Vorfeld is a very original German percussionist and sound installation artist. His Light Bulb Music was developed during live performances using a collection of colored amplified light bulbs and electrical apparatus. The electricity is used to make the glass bulbs resonate, however briefly, and the music arises from the multiple clicks and pops of bulbs and electrical switches. Vorfeld plays on the bulb’s fragility on one side, and the danger emanating from his less than secure electric installation on the other.



The Glass Orchestra, Toronto, 1979


The classic experimental music band, The Glass Orchestra, performs in 1979 with the original members. Eric Cadesky, Paul Hodge, John Kuypers, Miguel Frasconi, and Marvin Green. An excerpt from the CBC-TV show "Music to See."


Our Lady of Late (Live in Boulder, Colorado, July 23, 1975) - Meredith Monk



Meredith Monk, composer, singer, director, choreographer, performs "Our Lady of Late" at Naropa University in Boulder, Colorado on July 23, 1975. Monk's vocals are accompanied by wine glass and percussion.

Recording from the Naropa Poetics Audio Archives on The Internet Archive. Image above sourced from "Radical Glass Music #3" on continuo's weblog


Review of Prospectives 09


Image: Joshua Fishburn, Gaming the Network Poetic, 2009 (Photo by Joshua Lawton, Source: flickr)

This past month, Reno hosted the “Prospectives 09” festival, directed by Joseph DeLappe, Associate Professor of Art in the Digital Media area at the University of Nevada, Reno (UNR). The festival featured the work of 37 international artists and performers who are all current graduate and PhD candidates, working in various modes of digital practice. There were exhibitions, performances, a curated collection of internet art, symposia, video projections at UNR’s planetarium, and even a nocturnal array of illuminated floating pig bladders (a work by Doo-Sung Yoo, whose Pig Bladder Clouds references human-animal hybrids).

Image: Doo-Sung Yoo, Pig Bladder Clouds, 2009. (Photo courtesy of Joseph DeLappe.)

It would be a fool’s errand to try and propose some overarching principle that would legitimately tie together such a broad expanse of work. Limiting myself to the works on display at the “Prospectives 09” exhibition in UNR’s Sheppard Fine Arts Gallery, it seemed there was a common desire to enlist the spectator as a participant. Open until December 16, 2009, the works included in the show involved a fair amount of “play,” but the artists seemed attuned to the complexities involved with the interaction between machine and participant, thus it’s play inflected with critique.

John Walters’ interactive sculpture Waste Oil Mirror I & II (2008) is stately, beautiful and troubling. Two black rectangles stand against the wall, each seven feet tall, at first glance as minimalist as the monolith from Kubrick’s 2001. Triggered by the body heat in the gallery, a mechanical purring noise starts, and a soft gliding motion comes over the surface of the obelisks. The sculpture then draws up used motor oil from a reservoir at the bottom of the obelisks, cascading a ...


"Variety Evening at the New Museum" Now on Vimeo!


The video documentation from VVORK's New Silent Series event "Variety Evening at the New Museum" is now up on Rhizome's Vimeo account. Check it out!

Big thanks to Travess Smalley for his help with the clip.


Report From Cyberfest 2009


The stage at St. Petersburg's Sergey Kuryokhin Modern Art Center was set for a blast of live electronic music, with seating for ten performers, each station equipped with samplers, laptops, and electric guitars. As the audience arrived the musicians tinkered with the controls; one stood near a huge glass jug, adjusting wires submerged in its murky liquid. But when the appointed time for the concert's start arrived, the performers retreated to the wings, and recorded music came up and continued for the next twenty minutes. It seemed almost like a wry comment on the detachment of the physical presence of the performer from the source of sound in electronic music. But in fact it was an unannounced presentation of past issues of Tellus, the 1980s journal of experimental sound produced by Harvestworks, selected by director Carol Parkinson. As it faded, the musicians took their places, at last, to perform Third Eye Orchestra, a piece written and conducted by Hans Tammen. It was a controlled improvisation, where Tammen lifted numbered cards indicating which of the score's instructions should be read at that moment. The musicians, all local recruits, visibly relished both the spontaneity and the monstrously loud sound that only an ensemble of many amplified electronic instruments can produce.

The Harvestworks evening was part of the program of the third edition of Cyberfest, an annual festival conceived and organized by Anna Frants, a New York-based artist and gallerist, Marina Koldobskaya, director of the St. Petersburg branch of Russia's National Center for Contemporary Art.


Everything In Heaven Is TV


Everything In Heaven Is TV is a Totally Wreck Production Institute Production in association with Channel Austin Public Access. Season One was released and aired during the fall season of 2008. Produced by Amanda Joy, Juan Cisneros, Eli Welbourne, Ben Aqua and Chad Allen, with the ongoing help and support of many like minded artists, salesmen, psychics, cats, psychic cats, and the love of many many confused viewers.

EIHITV #7 from totally television on Vimeo.