The Visual Archive of Devotion and Taboo


Makkah 3D Puzzle produced by Wrebbit (1995)

In 1995, a puzzle company produced a 1038 piece architectural model of the Al-Masjid al-Haram in Mecca, the expansive complex that contains the Kaaba. Upon delivery of 17,000 copies to Saudi Arabia, the construction toy was deemed idolatrous and the shipment destroyed. Little over 500 of the sets remained in Canada, and have since become collector's items. Ever since, the home construction of Islamic holy places has been an unspoken no-go zone in the field of toy production. A recent perusal of the Saudi Arabian Import Guide on banned and restricted products includes models or "prototypes" of the Kaaba[1]. However, as the axis mundi of the Islamic world and a non-figurative cuboid, the Kaaba is commonly reproduced in model form to decorate the dashboards or mantelpieces of devotees. Unlike other faiths, much Islamic devotional imagery hints at the experience or expectation of the physical act of pilgrimage. Popular devotional prints from Muslim South Asia reproduce the sculptural intensity of traversing the Kaaba through lenticular prints (two-dimensional images that portray a remarkable sense of three-dimensional depth through interlocking layers) as souvenirs of local shrines or promises of pilgrimage. Why then do construction toys or DIY-build models cross the line into profanity?  And to what extent does this also hold true for 3D printed objects?