Roz Dimon
Since the beginning
Works in Shelter Island, New York United States of America

Solo Exhibitions
2015 Digital Drawings, GeekHampton, Sag Harbor, NY
2014 Artifacts II, The Shelter Island Historic Society, Shelter Island, NY
2012 DIMONscapes®, Delmar Southport Gallery, Southport, CT
2008 Information Woman, Grace Institute, New York, NY
2008 Drawing In the Age of Information, School of Applied Arts, Amagansett, NY
2006 Windows of the World, Arts Council of Long Island, Riverhead, NY
2001 Pencils, the American Gallery, New York, NY
1999 Flash Bible, the American Gallery, New York, NY
1993 Roz Dimon, Meisner Soho Gallery, New York, NY
1991 From Paint To Pixels, Fine Arts Museum of Long Island, Hempstead, NY
1990 Techno Romanticism, Verbum Gallery of Digital Art, San Diego, CA
1990 Digital Paintings, Burns Fine Art Gallery, New York, NY
1985 Personal Advertisements, DTW Gallery, New York, NY
1984 365 Days in Manhattan, Gallery of Manhattan Borough President, New York, NY

Museum and Corporate Collections
2013 Pale Male: A Pilgrimage (Edition #3/10), 9/11 Memorial Museum, New York, NY
2013 Nail This., St. Bart’s, New York, NY
2008 Pale Male: A Pilgrimage (Edition #1/10), Metropolitan Museum of Art, New York, NY
2009 China Door, the Asian American Arts Centre, New York, NY
1992 Tiger Lilly and Daffodil, Pfizer, New York, NY
1990 eight digital paintings, AT&T, New York, NY

Group Exhibitions
2013 Kingdom Animalia, Dodds & Eder, Sag Harbor, NY
2013 Revelations: Interrogating the Sacred, the Beverly Arts Center, Chicago, IL
2012 The Long Island Biennial, the Heckscher Museum, Huntington, NY
2011 Remembering 9/11, Lyceum Gallery, Suffolk County Community College, Riverhead, NY
2011 Vital Signs, South Street Gallery, Greenport, NY
2005-2006 Silicon Sands, International Juried Digital Art Exhibition, Fine Arts Museum, Las Cruses, NM
1999-2000 Seventh Annual New York Digital Salon, School of Visual Arts Museum, New York, NY and Madrid, Spain
1999 Contact Zones: The Art of CD-ROM, Cornell University, Ithaca, NY and MECAD Centre, Barcelona, Spain
1998 The Luminous Image, Velan Center for Contemporary Art, Torino, Italy
1997 Artists of Our Times, the Alternative Museum, New York, NY
1995 “code”, International New Media Exhibition, Ricco Maresca Gallery, New York, NY
1995 ISEA 95, 5TH International Symposium of Electronic Art, Canada
1995 Picture-Element, Deutsche Gallery, New York, NY
1993 Fotografica ’93, Museum of Contemporary Art, Breda, Netherlands
1991 Pioneers in Computer Art, Athenaeum Gallery, La Jolla, CA
1990 Artists in China: June 4TH, PS1 Museum, New York City, NY
1989 Imagine Tokyo ’89, Sogetsu/Konica Gallery, Tokyo, Japan
1984 Sandra Gering Group Show, Sandra Gering Fine Arts, New York, NY
1979 Chrysler Museum Biannual Exhibition, Norfolk, VA

2013 Guest Lecturer, School of Visual Arts, New York, NY
2012 Guest Lecturer, St. Bart’s Forum, New York, NY
2012 DIMONscapes®, Featured guest on NPR – Bonnie Grice’s Electronic Café, New York, NY
2004 Guest Lecturer, the First Church in Boston, Boston, MA
2003 Guest Lecturer at School of Visual Arts, MFA Division, New York, NY
1998 The Influence of Digital on Contemporary Art, Panelist, Jack Tilton Gallery, New York, NY 1995 Artists Talk “code”, Panel Moderator for New York Times and Chase Manhattan Lecture Series, Tisch School of the Arts, New York, NY

Publications and Reviews
VENU Magazine, The East Hampton Star, Leonardo Magazine, The MIT Press, Forbes Magazine, Verbum Magazine, NY Daily News, Newsweek

Professional Experience
2008 - 2013 Director of Communication Arts, St. Bart’s, New York, NY
2000 - 2001 Art Director for the Wall Street Journal Online, WFC, New York, NY
1996 - 2000 Director of New Media Arts, Deloitte, WFC, New York, NY
1990 - 1995 Digital Art and Multimedia Consultant New York, NY
1987 - 1990 Assoc. Professor of Computer Art, Marymount Manhattan College, New York, NY 1991 Visiting Professor, Pratt Manhattan, New York, NY

2013 - 2015 Interfaith Seminary, One Spirit Learning Alliance, NYC
1986 School of Visual Arts, Computer Arts Division, NYC
1975 The University of Georgia/The Lamar Dodd School of Art, B.F.A. Drawing & Painting with studies in Cortona, Italy
Discussions (17) Opportunities (0) Events (2) Jobs (0)

Jacob Ciocci Paints Outside of the Box

I like the colors. Yes I know I sound like Chanuncey Gardner a bit but that's the truth. I personally FEEL art has become over-intellectualized to death and I'd like to see a return to the focus on the marks themselves and how a work makes one FEEL - sentiment, passion . . . meaning, paradox . . . the mystery of that and the visual language that helps one know one artist as distinct from another over yes a lifetime of changing work . . . and of course marks that speak to this time as distinct, like um digital.

And of course, the animated gif has been around for several decades, but here it's rich with content that is seductive in the way that beauty can be, leading us somewhere . . . it's not the computer making the art, it's the artist (like that lovely Lichtensteinesque yellow swirl mixed in there,and going way-to-fast like our lives :)

So much to discuss . . . although I think I'm having a dialogue with myself but well, OK.


Between 'Total War' and History Painting: Andrej Ujhazy for 'Brushes'

Brilliant. Love the marks . . . all about painting, feelings, deliciousness, and narrative content . . . but then there is that other thing about the marks themselves -- they speak to our own age distinctly. -- while connecting us to the past and the universality of marks that can move us when multiple layers of thought, skill, design, and that most brilliant of all, paradox, come together in the visual language of an artist to take our breath away . . it reminds me a bit of the panorama one sees in the work of Breugel like his "The Procession to Calvary" (and Majewski's amazing film "The Mill and The Cross" which zooms in to focus on the action real time. []


It’s Only Humanist

I agree "that there is a longing for the direction and cohesion that artists once had before modernism and the death of god (in art)." I think this also seques with the spiritual in art, a place where the quest is not so much about what separates us (hey see how unique I am - I mean isn't that obvious? It's almost getting boring to contemplate.) as those deeper things that unite us. (which span the gamut from altruism to violence, darkness to light, an endless bag of tricks unresolvable, that speak to the human heart as well as the mind . . .)

I may be getting off the point here but Sterling Crispin's work certainly speaks to this . . .

Ah yes -- what is the "recipe," beyond the ingredients, the unique one to our age that also ties us to ancient practice? 


Keeping it Online

This is a very worthy endeavor /idea that puts Rhizome on the living, breathing and larger map like never before -- what would we know of past civilizations (ergo ourselves) without a conscientious dedication to archaeological research? It takes what might be mistaken as detritus and makes it into a comprehensible, fascinating story by connecting the dots and digits. WOW.
Sift that digital dirt and bring it to 'eternal life' folks by connecting the generations, the days, the moments; the evolving zone of pixellated ether; a parallel but different universe to our physical practice; one that is driving us to NEXT.
What could be more exciting? A living breathing digital Rosetta Stone. Something "larger than ourselves" - isn't this what art aspires to?


The Guggi's Open Call

Totally serious, while enjoying your image :)