Ceci Moss
Since 2005
Works in Oakland, California United States of America

BIO
Ceci Moss is the Assistant Curator of Visual Arts at Yerba Buena Center for the Arts in San Francisco and an Adjunct Professor at San Francisco Art Institute. She is responsible for coordinating several exhibitions (both solo and group shows) each year, special projects, public art commissions, and public programs for YBCA. Highlights include solo exhibitions by Jacqueline Kiyomi Gordon, Lucy Raven, Nate Boyce, Shana Moulton, and Brenna Murphy, a large scale public art installation by Kota Ezawa in YBCA’s sculpture court, and YBCA’s signature triennial Bay Area Now 7 co-curated with Betti-Sue Hertz. She also co-curated with Astria Suparak the exhibit Alien She that examines the lasting influence of the punk feminist movement Riot Grrrl on contemporary artists, and toured to five venues nationwide.

She has a MA and PhD in Comparative Literature from New York University, and a BA in History and Sociology from U.C. Berkeley. Her academic research addresses contemporary internet-based art practice and network culture. Her PhD dissertation "Expanded Internet Art and the Informational Milieu" examines the expansion of internet art beyond the screen in the 2000’s, especially towards sculpture and installation, as a product of what theorist Tiziana Terranova called an “informational milieu.” Combining art history and media theory through the analysis of case studies that range from internet art and social media in the 2000’s to Jean-François Lyotard’s groundbreaking new media exhibition at the Centre Pompidou in 1985 Les Immatériaux, her dissertation asks how the widespread technological capture of information affects cultural production, specifically contemporary art, and the kind of critical response it necessitates.

Her writing has appeared in Rhizome, Art in America, ArtAsiaPacific, Artforum, The Wire, Performa Magazine, New Media & Society and various art catalogs. Prior to her position at YBCA, she was the Senior Editor of the art and technology non-profit arts organization Rhizome, Special Projects Coordinator for the New Museum/Rhizome and an Adjunct Instructor at New York University in the Department of Comparative Literature. From 2000-2014, she programmed a radio show dedicated to experimental music, Radio Heart, on the independent radio stations KALX, East Village Radio and Radio Valencia.

Jam Licking & Sledgehammered Film (2008) - Jennifer West





70MM Film Leader Covered in Strawberry Jam, Grape Jelly and Orange Marmalade - licked and sledgehammered by Jim Shaw, Marnie Weber, Mariah Csepanyi, Bill Parks, Alex Johns, Karen Liebowitz, Roxana Eslamieh, Chaney Trotter & Jwest - a filmic restating of moments from Allan Kaprow's 'Household'

Originally via East of Borneo. Go here to read a full interview with Jennifer West.

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Artist Rafaël Rozendaal Shares Art Website Sales Contract


Artist Rafaël Rozendaal posted the contract he uses when selling his single serving sites. I thought I'd share it here, as I thought it might be helpful for other artists wishing to do the same. Below, Rozendaal explains:

I think in moving images, and I don't think moving images are objects. I place these moving images in domain names. Each URL is the title and the location of each art piece. These websites are public, their ownership is exclusive. Domain names are one of the internet’s few scarcities. They are unique, they can't be forged or copied.

This contract explains the rights and duties of the artist and the collector, to make sure the work remains intact as long as possible. It was drafted by Aernoud Bourdrez, attorney at law.

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Evelyn Roth on Arts '74




In this television segment from the 1970s Canadian show Arts '74, artist Evelyn Roth discusses her work in textiles. In the first clip, she shows how she uses videotape as a material for crocheted wearable sculptures (including one which fastens the viewer to a television set) and even a car cozy. Roth's costumes reminded me of those in Forcefield's videos, and her interiors echo a bit with some of Donna Huanca's stage installations and Jacqueline Gordon's Dream Blankets. Neat!

Originally via Nothing Is New

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