G.H. Hovagimyan
Since 2003
ghh@thing.net
Works in New York, New York United States of America

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BIO
G. H. Hovagimyan is an experimental cross media, new media and performance artist who lives and works in New York City. He was born 1950 in Plymouth, Massachusetts. In 1972, He received a B.F.A from the University of the Arts in Philadelphia, Pennsylvania and received an MA from New York University in 2005. He is a professor at the School of Visual Arts in the MFA Computer Arts Department. He was one of the first artist's in New York to start working in Internet Art in 1993 with such artist's online groups as, the thing, ArtNetWeb, and Rhizome.
He has collaborated with English/French sound artist Peter Sinclair (sound artist) on a number of works. <br>

From 1973 to 1986 he was involved in the SoHo and Lower East Side underground art scene. He exhibited a rigorously conceptual art show at 112 Workshop in 1973. He was a friend of the artist Gordon Matta-Clark who was also involved in 112 Workshop. He worked with Matta-Clark on several projects namely; Days’ End, Conical Intersect, Walking Man’s Arch, and Underground Explorations. In 1974 during the video-performance series at 112 Greene Street, he performed opposite Spaulding Gray in Richard Serra's video, A Prisoner's Dilemma.<br>

Much of his early work was ephemeral in nature. It involved performance art, written and language works and temporary installations in galleries. A word piece, Tactics for Survival in the New Culture, was exhibited in "The Manifesto Show" (1979) organized by the artist collective colab. This particular piece was to become the basis for one of his first online hypertext works in 1993. He showed in several group exhibitions organized by Jean Dupuy, a French Fluxus artist living in New York at 405 E. 13th Street. In 1980 he did a series of punk performance pieces for Artist's Space series called Open Mic. One piece, Rich Sucker Rap was recorded by Davidson Gigliotti for a video tape called Chant Accapella which Electronic Arts Intermix carries in its catalog. He also performed in several No Wave Cinema films among them, The Offenders(1980) by Scott B & Beth B and The Deadly Art of Survival by Charles Ahearn.

In the early 1990’s he started working in Media Art and New Media Art. Some of the pieces involve using a combination of photographs and text, often mimicking advertising. In May, 1994 his twenty billboard project for Creative Time, Hey Bozo… Use Mass Transit, received quite a bit of press. The work was seen on several newscasts such as Good Day New York, and the NBC Nightly News (nationally). It was written up in the NY Post, NY Daily News, The New York Times, etc. A telephone interview with the artist and a report on the project was distributed over the AP newswire.

Around the same time he began working with computers and the internet. One of the earliest internet artists, his first pieces, BKPC, Art Direct and, Faux Conceptual Art, were written about in the art magazines Art in America ( Robert Atkins, 1995 Art in America, December, “Art On Line” pp.63) and Art Press (Special Issue, Techno: Anatomy of electronic culture, 1998) France. He also hosted an internet radio/TV talk show called Art Dirt. The first of it's kind, Art Dirt, is part of the Walker Art Center's Digital Studies Archives collection. Of his collaborative works with Peter Sinclair, the most well known are a Soapopera for Laptops/ iMacs, Shooter and Rant/ Rant Back/ Back Rant. Shooter, an immersive sound and laser installation was developed at Eyebeam Atelier as part of its’ Artist in Residence program.
Discussions (76) Opportunities (4) Events (21) Jobs (1)
EVENT

Plazaville


Dates:
Fri Nov 14, 2008 00:00 - Fri Nov 14, 2008

image
Plazaville is a new media video art work. It is based on the classic 1965 movie Alphaville by Jean Luc Godard. It is set in 21st century New York City. The scenes from the original Alphaville are being re-enacted, interpreted and improvised upon by the artists, actors and videographers. The piece uses the internet as one means of distributing the short video clips. This is somewhat like a serialized program but is not in any order. Viewers can download new scenes as they become available on iTunes and youTube. The videos can be viewed on iPhones, computers and large screen HD televisions.

The final presentation of the work is envisioned as a video projection/ installation work. The installation will not be a standard video loop but will use a computer as a video server. Each of the scenes will be put into a video playlist that is set to random select. The video will be assembled on the fly breaking the traditional notion of linear narrative. The piece is a truly hypertextual/ hypermedia artwork that has an affinity with the meandering narrative that is a key device of graphic novels. The viewer entering the installation will assemble the story in their mind and imagination.

This work involves a loose collaborative of Artists in New York called Artists Meeting. The members are participating in the work as actors, camera-persons, set designers etc. G.H. Hovagimyan is the director and Christina McPhee has added her superb camera work and improvisational narratives to several performance set-ups. Indeed, this work extends the notion of video-performance by using the idea of a movie shoot as vehicle for ephemeral performance art.

You may access the current scenes of Alphaville via computer at:

YouTube -
http://www.youtube.com/user/ghovagimyan

Computer via internet - (using quicktime) --
http://nujus.net/~plazaville/clips/index.html

Itunes - http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=29281132
Or log onto the iTunes store and search for Plazaville

RSS feed via web browser -- http://nujus.net/~plazaville/clips/index.xml

Contact info:
G.H. Hovagimyan
11 Harrison Street, #6
New York, NY 10013
USA
email:ghh(AT)thing.net


EVENT

youTube Slam/ Party at Postmasters


Dates:
Fri Nov 07, 2008 00:00 - Fri Nov 07, 2008

Artists Meeting youTube Slam/Party
At Postmasters Gallery,
459 West 19th Street

Saturday Nov. 8th 2008
7pm


Artists Meeting
will present a youTube party. The AM group has assembled video playlists culled youTube. The group invited people via the web to create their own playlists to be added to the mix. The AM group will also present a 15 minute playlist documentation of their recent interventions in lower Manhattan for the Conflux Festival.

During the youTube slam the audience may assemble their playlists or add to the mix on a separate computer. This piece/performance is an extension of their video jam session gumbo@dumbo performed at the DUMBO arts festival last September.

It’s a party. There will be refreshments and Innocente Tequila.

Further info: artmeet@nujus.net
http://artistsmeeting@nujus.net


OPPORTUNITY

youTube Slam


Deadline:
Wed Oct 15, 2008 00:00



Open Call - YouTube Slam
Saturday Nov.8th at 7pm the Artists Meeting group will present a youTube Slam/Party at Postmasters Gallery in New York. We are inviting the public to create 10 minute long playlists of their favorite youTube videos. Here's the ground rules;

1) Use your existing youTube account or open a new one.
2) create a playlist of short videos total length 10 minutes.
3) give list a title or theme such as motion studies or funny music etc..
4)publish playlist on your youTube account and send the link to: artmeet@nujus.net

Our members will look through the playlists and play the best ones mixed in with Artists Meeting playlists as well as a free style match at the youTube slam on Nov.8th


DISCUSSION

Pissed Off Artists Allegedly Urinate on Kruger Art


And the pissing contest continues!!!


DISCUSSION

Artists Meeting & Conflux


image

http://www.youtube.com/profile_play_list?user=ghovagimyan

Sept. 11-14th, Artists Meeting members did a series of performance/interventions in the (POPS) plazas of Lower Manhattan. They were very successful. The initial idea was to work in the plazas as a way to take back the public spaces and engage the public. This has extra meaning after 9/11 and especially downtown which has been a sort of barricaded fortress.

The (POPS) plazas in themselves are very unusual privately owned public spaces. Many of them have become privatized with places such as Starbucks claiming that the seating areas are for customers only. Most of the corporate buildings have security guards that have been instructed to stop people from photographing the buildings. This is presumably to stop terrorists from plotting to blow them up.

Lee Wells Smiley Face Warning poster made for the Conflux Festival was especially spot on in it's articulation of the 9/11 paranoia. At 55 Water Street, I was told I couldn't photograph the building because it was a Federal law by a steroid pumped up security guard. One landing down below this elevated plaza a group of kids were nonchalantly smoking marijuana. The absurdity of the homeland security protection racket and pumped up Wall Street Neo-Fascism was brought home by the huge American Flag that hangs over the complete facade of the stock exchange building. On a smaller level I was amazed when Leesa & Nicole Abahuni took out their audio synthesizers and magnetically attached them to the exterior metal conversation chairs at 200 Water Street. Their home made devices looked like a made for TV movie of a terrorist device. I guess that the exterior of the NYU dormitory at 200 Water street is not a high value target in the minds of the neo-fascists. It's like the choice between protecting the Oil Ministry or the Art Museum.

The most mellow intervention was at 60 Wall Street, Deutschbank building interior plaza where the security guards were dress in military style midnight blue fatigues. They asked us what we were doing and told us we couldn't video the building. Raphael Shirley then set up one of her Melted City installation works and proceeded to do a sound art feed back piece with a small amplifier. I think that the guards were entertained but I don't know about the homeless people or the group of hi-tech computer geeks having a wifi business conference. We did successfully photograph and video tape all of our locations but it's also true that they can all be seen on Google Earth. The range of reactions from the security guards and police ranged from benign to hostile. The more informed realized that we did not need a permit to do a temporary art work. The most aggressive were the corporate security guards who insisted we had no right to be there and that we were on private property.

The sweetest art work was the pillows the group made and placed in all the plazas. They were very funny and did indeed make the plazas more homey and comfortable. We're waiting
for the final video and photo documentation.



SAVED WORKS (1)