Jason Nelson
Since the beginning
Works in United States of America

Without really predicting the future, I've discovered a few places where quality goods can be purchased. I'm
also from Oklahoma, but sadly don't live there now. Being a poet by training, I love the way lights flicker and sounds make my stomach all a flutter.

Jason is scared of being hidden. But then so are the digital bits he farms. Certain regulations require his standing, and then sitting, which is just too damn obvious. Sometimes he teaches at Griffith University (on the coast’s most golden of coasts) as a lecturer in Cyberstudies, although the term conjures robots with beaks and hard wired…somethings. If you like this, you love this: www.heliozoa.com.

Sometimes, after nights of talking with friends late into the night, you come home at three or four in the morning and stumble into the bathroom. After a long release of fluids, and the sound of a night’s hard work being flushed away, you look in the mirror. At first the disheveled interloper in the metal backed glass is someone you don’t know. You douse your face with water and lookup again. Still the head and nose and eyes appear strange wobbling back at you with their curious stare. You strain to recognize the person. You clean the glass with a mildewing towel from the floor and still struggle to befriend this other invading your space.

Perhaps that is the way I feel as a hypermedia poet. After the intoxicating experience of creating hypermedia works, I am bewildered by my artistic reflection. Am I, as some ask, a painter? A poet? A sound manipulator? A multimedia tinkerer? I suppose some would say I am all of these. And others would say none. The work presented here for the Ohio Arts grant represents my pulling together art forms, my collage of poetry, image, sound, movement, and interaction. All of these elements are then filtered through the web environment, allowing for a broad audience, a hypermedia gallery for every computer.

But all of this, all the merging of various genres and technology is still too new, too ever evolving for anybody to know in any coherently explainable way what exactly they are doing. And that is exactly why hypermedia is so beautiful and enticing. Sometime, long ago, someone began classifying and categorizing our world. You are a baker, you are a criminal and you over there are a Central American poet revealing the class struggle. While some say postmodernism is mired in it’s own labeling of anti-labeling paradox, it has, at least, provided a generous platform for the creation of hypermedia works. The previous ideas of what goes where, of what poetic technique is helpful for recreating the pains and joys of life, seem silly in a hypermedia environment. An environment where technology allows the artist to cross boundaries and create new borders. Creativity is dental floss is mouse movement.

When I painfully shave the coarse hairs from my face, and cleaning the cream from my face look into the mirror, I don’t see an artist I can place in a recognizable category. All I see are the crooked lines between my eyebrows and the towel rack behind me. I see a poem forming in the exhaust fans loud and louder buzz. The condensation over words carrying the light from a seventy-five watt bulb to patterns on the floor.

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game, game, game and poetic belief systems

New digital poem/net art/game, this is the beta version so ideas, thoughts
and other whimsies are more than pleaded......

title: game, game, game and again game


cheers, Jason Nelson

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digital mysticism: entanglegirds

Entanlgegrids, digital mysticism, vid-semantic spells.

Announcing the completion of a trilogy. Interactive video grids,
keyboard controlled video spell generators.
1. Trek-tech, 2. 80's commercials and 3. sensual explosions.


They are searching for homes. So invite them to play.

cheerio-e-o-9, Jason Nelson

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christmas disaster generator

something odd and horrible and fun for all of you....

the christmas disaster generator


share these terrible stories with all and eveyone

Jason Nelson

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Art of the Animal Exhibition and Award Winners

Announcing the opening of the Art of the Animal online Exhibition and
congratulations to the winners of the Art of the Animal Awards.

EXHIBITION URL: http://www.eagleandowl.com/exhibit/artofanimal.html

The online exhibition features a game interface and showcases the works of video, image and net artists. All works were featured during the conference and discussed in during the digital art panel.

The exhibition and companion conference were sponsored by Griffith University and CPCI (Centre for Public Culture and Ideas) with curator Jason Nelson and assistant curator Mariam Arcilla. Exhibition interface design by secrettechnology.com.

Explore the Exhibit (be sure to read the directions for using the game interface!!)

EXHIBITION URL: http://www.eagleandowl.com/exhibit/artofanimal.html

Art of the Animal Exhibition Awards:

Net-Art Award: 'Plumage