Since the beginning
Works in Limassol Cyprus

NeMe is a non profit, non government, Cyprus registered cultural organisation founded in November 2004. NeMe works on two platforms - a virtual and an itinerant one - and focuses on contemporary theories and their intersection with the arts.

NeMe's itinerant platform, the "IMCA" (Independent Museum of Contemporary Art) presents NeMe projects which include, exhibitions, performances, new media events, symposia and archives. The form of the IMCA is determined as a practice or process by the nature of each project with the notion of the exhibition "space" being constantly revised and redefined.

NeMe resides in two sites:

* provides a service by publishing critical texts and filtered cultural information which includes arts news, calls as well as providing a forum for public discussion. documents of all NeMe off and on line activities.
Discussions (38) Opportunities (9) Events (14) Jobs (0)

Margins of Time

Fri Nov 06, 2009 00:00 - Sat Oct 24, 2009


Margins of Time presents works by creators who have used "Yiannis Ritsos╩╝" life and poetry as a starting point for their personal homage to the great poet. The exhibition will also include a selection of original stones painted by Ritsos from the collection of Elli and Panicos Peonides. This project also includes:

Remembering Ritsos: talks by personal friends of Yiannis Ritsos, Hans Hendrikx (NL,GR) and Elli Peonidou (CY) and a homage to Ritsos by Louis Perentos (CY)

Exhibition of 66 artworks including:

[list] [*] Photographs by Antigoni Solomonidou Droussiotou (CY), endorsed personally by Ritsos in 1979
[*] Photomontage work by Peter Lyssiotis (AU, CY)
[*] Poetry videos of Elli Peonidou (CY) and Louis Perentos (CY)
[*] Silkscreen prints by Dimitri Perdikides (GR)
[*] Stones painted by Yiannis Ritsos (GR)
[*] Archival photographs of Ritsos' visit to Cyprus in 1979[/list]

Presentation by George Alexander (AU) and Peter Lyssiotis (AU, CY) on the nature of their collaboration for their book, _The Dead Travel Fast_ which will be launched by Nicholas Defteras.

The title of this event is taken from a collection of poems by Yiannis Ritsos, Notes on the Margins of Time written between 1938-1941.

Margins of Time is co-organised by NeMe and the Cyprus Ministry of Education and Culture and is supported by the Municipality of Limassol and Cyprus University of Technology

Evagoras and Kathleen Lanitis Foundation, Limassol, Cyprus
Opening and presentations: 8pm, 6 November 2009.
Exhibition: 6-16 November 2009.
Opening Times: Monday-Saturday, 9am-1pm and 5pm-8.30pm



Wed Nov 04, 2009 00:00 - Sat Oct 24, 2009


NeMe n collaboration with the Department of Multimedia and Graphic Arts of the Cyprus University of Technology

A retrospective look at all the videos created for IDEODROME.

Videos by: Yiorgos Sisamos, Dinos Hatdjidemetri, Yiannis Yiapanis, Helene Black, Natalie Demetriou, Andros Zemenides, Yiannis Colakides, Yiannos Economou, Konstantia Sofokleous, Ioakim Mylonas, Diomedis Nikitas, Klitsa Antoniou, Sophia Hadjipapa-Gee, Demetris Rousos, Panayiotis Fotiou, Eva Korae and Monika Herodotou, Nicos Synnos, Elias Demetriou, Adonis Florides.



Sat Oct 31, 2009 00:00 - Sat Oct 24, 2009


A 30 minutes event continuously looping

A Denial can be conscious or sub-conscious. It can be personal or social. A sub-conscious personal denial is often a defence mechanism. A psychological condition in which we can not accept a real fact or situation as such. A conscious denial is closely related with the personal or social resistance to something which we consider as wrong or immoral. Social consciousness is built upon such conscious denials.

Participants: Klitsa Antoniou, Sophia Hadjipapa-Gee, Demetris Rousos, Panayiotis Fotiou, Eva Korae and Monika Herodotou, Nicos Synnos, Elias Demetriou, Adonis Florides.


The Disappearance of Signs in a Landscape of Deceptions

NeMe is happy to announce our latest addition, The Disappearance of Signs in a Landscape of Deceptions by Lanfranco Aceti to our Texts archive.


The artwork A Dream Came Through started as an idea in 2006 and was developed in 2008 before the current capitalistic crisis and temporary rebirth of a social conscience in the Western World. 2006 was a time when a critique of the capitalist models of production of riches and their lack of distribution was neither fashionable nor intellectually sensible.

The focus of the artwork is on the interpretations and re-interpretations of the roles of the migrant and the politics of labor. The performative element of the project also challenges and questions the structural frameworks of labor by highlighting a condition of commodification and exploitation that is globally enforced.

A Dream Came Through exploits the idea of being paid to do 'nothing' by asking a group of local workers to be paid to fan themselves for the duration of a working day - eight hours. The clash between the oneiric representation of a life-long ideal 'being paid to do nothing' and the reality of exploitative labor frameworks reveals the impossibility of any labor to be other than an institutional process of enslavement.

The artwork questions the representations of 'dream societies' that, having promised economic liberation, deliver no more than an experience of commodification and enslavement within the hierarchical realities of economic exploitation.

The art world, in this context, with its systems of art production does not escape these phenomena of commodification but rather, by presenting itself as a form of liberation and empowerment, reproduces the very hierarchies that declares to be fighting.

Complete text on

As always comments are welcome


Locative Media and Spatial Narratives

The 1000th post in is marked with Martin Rieser's text
Locative Media and Spatial Narratives in our Texts archive.


This paper explores the debates around past and present locative practice and sets them against such models drawn from a broad range of cultural artefacts and their potential lessons for contemporary locative media art and interactive public art practice. Specifically examined are issues of architecture and ritual space, and the spatialisation of narrative, including Aboriginal Australian, Amerindian, Celtic, Hindu and Christian sacred architectures and land art.

read the complete text.