Zachary Kaplan
Since 2009
zachary.kaplan@rhizome.org
Works in New York, New York United States of America

BIO
I'm Rhizome's Executive Director. Previously based in Los Angeles and Chicago. My .info has more detail (and live links).

Seven on Seven LDN Video is Live


Seven on Seven at the Barbican Centre (credit: Susanna Sanroman)

 On October 27, 2013, Rhizome presented the first international edition of its flagship Seven on Seven program in London at Barbican Centre. Seven pairings of artists and technologists came together for two days in a collaborative sprint to create an app, an artwork, an argument, whatever they could imagine. The result: a web-based forum for anonymous geolocated conversation, an app that randomly selects one email from your Gmail Sent Mail folder and sends that to another user of the app, a set of icons that demarcate intended levels of privacy, and one leading artist's confession that he would like to become a cyborg.


RIP Artists Space Cursor


 
artistsspace.org, as it was 

Today, storied NYC arts nonprofit Artists Space relaunched their website. Overall, it's a playful refinement, yet one that loses the old artistsspace.org's most defining feature: its oversized royal purple triangle cursor, derived from the institution's longstanding "A"-oriented visual identity. (A breezy and engaging history of which, given by Rob Giampietro in 2011, can be found here.) In fact, against the site's sparse backdrop, the cursor was, more or less, the design.[1]

Created by Studio Manuel Raeder, Artists Space's deceased cursor was hulking, distracting, so wonderfully weird. It was an input object that always left you wondering whether you'd clicked, and where. On an internet that values user comfort and control above all, the cursor asserted difference and disobedience—what we look for in art, in general. 


Call for Papers and Projects on E-Cigarettes and Vaping Technologies


 

We’ve been spotting them more and more in the wild, at galleries, house parties, restaurants, parks, various Bloomberg protectorates. Puffs of white and circular neon flickers; brushed aluminum spires or hyper-real stage props. We are, of course, speaking of e-cigarettes and personal vaporizers, from branded and capitalized (NJOYs and Blus) to bespoke and forum-fussed. What are these disagreeable objects? Are they all use or artifice, nicotine delivery à la Rube Goldberg or Richard Prince simulacra?

In February, Rhizome will present a one-day symposium in New York dedicated to vaping technologies, reading the e-cigarette socially, politically, aesthetically, economically, against its outmoded grain, as it were. On the topic, we're noobs, so we’re casting a wide net for histories, essays, artworks, workshops, and polymorphous contributions to shape this inquiry to be held online and off. Be in touch...

Deadline for Proposals: November 12, to zachary[dot]kaplan[at]rhizome.org



Discussions (15) Opportunities (0) Events (1) Jobs (1)
DISCUSSION

Eric Dymond (1951-2015)


Last week, the son of longtime Rhizome community member Eric Dymond reached out to inform us of Eric's passing. We're saddened by this loss and remember him today as a pioneering artist, and a committed contributor to and supporter of this organization. On behalf of the staff, our sincere condolences to his family.

See and learn about Eric's art: http://www.edymond.com/artseen/index.html

The obituary that recently ran at the Star newspaper: http://www.legacy.com/obituaries/thestar/obituary.aspx?page=lifestory&pid=176058267

JOB

Rhizome Program Coordinator


Deadline:
Fri Oct 16, 2015 10:00

Location:
New York, New York
United States of America

Rhizome Program Coordinator
(full-time w/ benefits)

Deadline: Friday, October 16, at 10am EST
Send a cover letter and resume to: jobs@rhizome.org

On the eve of its 20th anniversary, Rhizome seeks a highly capable, communicative, and organized internet native to support its artistic programs and administration. The Program Coordinator will help launch the new rhizome.org, produce public events, handle office tasks, and accrue community buy-in and financial support for Rhizome's work.

As an institution with a small staff, this role will be multifaceted and challenging day-to-day, but quite rewarding to someone wishing to grow as an art professional, particularly in Rhizome's specialist space.

About Us: Rhizome is a non-profit born-digital art institution supporting contemporary art that creates richer and more critical digital cultures. Online since 1996, and an affiliate in residence at the New Museum in NYC since 2003, our offices are based in New Inc., the first museum-led incubator, initiated by the New Museum.

About the Role: This early-career position supports Rhizome's artistic programs and institutional development, via engaged, proactive program coordination (from external affairs to event production) and thorough and detail-oriented administration (from record-keeping to development support).

Like all Rhizome staff, the Program Coordinator will be expected to feed into Rhizome’s overall institutional knowledge of internet culture, technology, and contemporary art, and be a visible presence for the organization at events and openings in NYC.

DUTIES & RESPONSIBILITIES
Artistic Program Support
• Event Production: administrative duties and project management, including booking venues, travel and accommodation, hospitality, liaising with technicians, and more.
• External Affairs: Management of social media, composing press releases, liaising with press about Rhizome initiatives, and maintaining press list
• Attending public events on behalf of Rhizome, reporting back on emerging practices and new developments within its communities, and feeding into Rhizome’s programs overall

Administration
• Managing administrative systems: processing and tracking invoices; maintaining/improving filing; minuting meetings; enabling good communication
• Communications: overseeing Rhizome email campaigns and mailing lists
• Development support for Rhizome's membership drives and fundraising efforts: managing community campaign, tracking, compiling and collating information to feed into fundraising reports and activities, composing and sending thank you letters and other correspondence
• Managing individual membership and organizational subscriptions (universities/colleges), including the driving of new members/subscribers to meet targets
• Managing Rhizome's Fellows and Interns

REQUIREMENTS:
• Broad knowledge of Rhizome’s work and its context in New York City and online/internationally
• Meticulous attention to detail and organization
• Confident coordinator and project manager – works well to anticipate needs and problems, find solutions, pull together and organize information, and prioritize
• Clear and effective written and verbal communication
• Works well independently yet remains accessible, friendly, and responsive to direction from Executive Director and other staff
• An exceptional problem solver; calm under pressure with a positive attitude
• Efficient and motivated to complete work
• Decent level of technical aptitude, and ability to learn new systems quick

DESIRABLE:
• Strong existing networks within Rhizome’s communities, in particular among emerging/mid-career artists or technologists in New York
• A developed online presence and deep engagement with the web
• A demonstrated interest in and specialist knowledge of internet culture, to contribute to Rhizome’s overall internal knowledge and staff culture

Questions and complete applications (resume/cover letter) can be directed to jobs@rhizome.org by Friday, October 16, at 10am.



DISCUSSION

Feed my Feed: Radical publishing in Facebook Groups


Relevant to this post, the New Inquiry published a short reflection by Teju Cole, that had originally appeared as a Facebook post on the writer's personal page, about NY Mag's cover story featuring 35 women testifying to Bill Cosby's history of rape and assault.

Cole's original FB post: https://www.facebook.com/permalink.php?story_fbid=10153087620542199&id=200401352198

Tumblr version of NY Mag story that Cole had linked to (at the time, the NY Mag website had been taken offline by a distributed denial-of-service attack): http://nymag.tumblr.com/post/125179609945/im-no-longer-afraid-35-women-tell-their

TNI repost: http://thenewinquiry.com/blogs/dtake/improving-on-silence/

From Cole's intro: "I should say that this note was first written for my Facebook page, on July 27 2015, and I think it will retain some of the tone of that context: discursive, reactive, and addressed directly to my followers. But my editor at the New Inquiry thought I should share it here, with a broader audience, and I agree."

Perhaps the piece will circulate more widely on TNI; it will circulate differently, for sure. I'm still not sure what "independent" means, but on one count—the writing standing alone rather than within the feed with prominent attachment—its "independence" on TNI is perhaps detrimental in that it competes with the NY Mag story. (Cole acknowledges this in his intro.) The comments on the original post (ranging from simple thank yous, to lengthy responses, to, as across the web, gross parsing) are immediate and interesting, and they won't run on TNI.

In any event, it's a piece of what I think is meaningful, critical writing instigated by Facebook, with a tone and position resulting from the social media giant's culture, and the publics it can gather.

DISCUSSION

Feed my Feed: Radical publishing in Facebook Groups


Here is just one public-facing thread on Facebook (that I've highlighted on this very site before) that rises above "chit-chat" about "mom's gmail" (ugh at the phrasing and innuendo):

https://facebook.com/micol.hebron/posts/10152847041920752

DISCUSSION

Feed my Feed: Radical publishing in Facebook Groups


No one was blocked. (Though we didn't let through one comment from Pastasauce that failed to meet our commenting policy: "Content may not include any material that defames any person," which this one did.) The new comment, along with one from Dorothy on the Pew data, was stuck in moderation because I was away for a long weekend. :-) They're both public now.